Born in State College, PA.
Lives and works in Los Angeles, CA.
BFA, California Institute of the Arts, Valencia, CA.
Solo Presentation, Zona MACO, Mexico City, Mexico.
Numbers, Gallery Wendi Norris, San Francisco, CA.
Spells, Spires and Other Delicate Business, Charlie James Gallery, Los Angeles, CA.
Graduate Thesis Show, California Institute of the Arts, Valencia, CA.
Stevenson Blanche Gallery, California Institute of the Arts, Valencia, CA.
31 Grand Gallery, New York City, NY.
American Groupie, Bronwyn Keenan Gallery, New York City, NY.
Bikers, Bronwyn Keenan Gallery, New York City, NY.
TWO PERSON EXHIBITIONS
I’d Be Safe and Warm: Helen Rebekah Garber & Liat Yossifor, Royale Projects, Palm Springs, CA.
All the Small Things, Steve Turner, Los Angeles, CA.
The Fecund State, PØST, Los Angeles, CA.
Group Hang, Gallery Wendi Norris, San Francisco, CA.
Abstract Visions: Information Mapping from Mystic Diagrams to Data Visualizations, Cerritos College Art Gallery, Los Angeles, CA.
Cruising, Fifth Floor Gallery, Los Angeles, CA.
Are Friends Electric? I, Fellows of Contemporary Art, Los Angeles, CA.
Are Friends Electric? II, Peggy Phelps/ East Gallery, Claremont, CA.
The Familiar Unfamiliar, Wonder Valley, CA.
Forms of Abstraction, The Irvine Fine Arts Center, Irvine, CA.
Paradox Maintenance Technicians, The Torrance Art Museum, Torrance, CA.
Incognito, Santa Monica Museum of Art, Los Angeles, CA.
Land of Retinal Delights, Laguna Art Museum. Laguna, CA.
Why Can’t We All Just Get Along?, Sara Tecchia Gallery, New York City, NY.
SCOPE UK, London, England.
Art Forum Berlin, Berlin, Germany.
Women, Egnizio’s Project, New York City, NY.
SELECTED PRESS & REVIEWS
Los Angeles Times, “Mark Grotjahn at Blum & Poe: A surfeit of inspirations”. Pagel, David, June 14, 2015.
South Bay Contemporary, “Abstract Visions: Information Mapping from Mystic Diagrams to Data Visualizations”. McDermott, James.
California College of the Arts ”11/11: A journal of Literature and Art” Issue 19. Behm-Steinberg, Hugh.
New American Paintings Blog, “Signifier and Signified: Helen Rebekah Garber at Gallery Wendi Norris”. Chavez, Matt Smith, December.
San Francisco Art Quarterly, “Helen Rebekah Garber: Numbers, Exhibition Review”. Lutz, Leora, December.
Art Pulse, “Reviews,” Neel, Tucker, December.
Art Scene Magazine, “Art in Review,” Lasarow, Bill, December.
The Huffington Post, “Paint it White,” Bush, Bill, December.
New American Paintings, #97, Pacific Coast Edition, December/January.
Art ltd.,“Painters’ Painting,” Melrod, George, May.
Elle Italia, Abrizi, Sophia, October
The New York Times, “From Heavy Metal to High Society,” Front Page, Leland, John, June.
The New York Times, “Art in Review,” Smith, Roberta, June.
Time Out: New York, “Art in Review,” Hunt, David, April.
SPIN Magazine, “Runaway Success,” Halle, Howard, June.
Frankfurter Allgemeine Zeitung, “Boheme Schrag,” April.
Le Nouvel Observateur, “Les Enfants de Warhol,” Genies, Bernard, June.
The New York Times, “Bad to the Bone, Formal to the Brush,” Moynihan, Colin, November.